Full-screen mode now maximizes the use of available screen space, and we’ve also made a few adjustments to the internal dialogues to keep you inside the zone. When new images, videos and assets are imported, they are now automatically selected in the media panel so you don’t lose momentum searching for them. Playback performance has been improved while GPU acceleration is not in use, and we’ve went on a bug-crushing mission to improve the overall stability of HitFilm Express. Improved Video Playback + Stability Improvements MP3 files with multiple ID3 tags are also now supported, and MP3, MP4, Cineform and H.264 files all now have improved support too. HitFilm Express now supports files with multiple audio streams and handles audio sync better for files captured by screen-capture software (Great news for those of you with gaming channels or tutorial channels!). With the help of your feedback we’ve improved file support and handling.

When applying a LUT in HitFilm Express 13, you can now decide how much you want to affect the original image with the handy strength slider, giving you total freedom over the final look of your clip. When it comes to grading, there’s really no one-size-fits-all. This means your productions will be theater-ready and can be matched to the full resolution of higher-quality 4K cameras.

However, it now also offers support for DCI 4K (4096 x 2160) which is the standard for 4K cinema. HitFilm Express already supports the consumer-standard 4K resolution of UHD (3840 x 2160 pixels) used in TV and digital media. Bug fixes and minor improvements should streamline the processes of planar tracking and rotoscoping.

HitFilm Express’ optional planar tracker – Mocha HitFilm – is being updated to be in line with the newest Mocha updates.

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